片名：冰刀HD中字

《冰刀》翁贝托·伦齐拍的这部电影，什么时候公映啊

《冰刀》高清恐怖片电影完整版http://www.rcwjj.com/wjj/160562-0-0.html

制片地区： 其它

导演： 翁贝托·伦齐

编剧： 翁贝托·伦齐

主演： 卡罗尔·贝克,艾伦·斯科特

上映时间： 1972

对白语言： 汉语普通话 / 英语

色彩： 彩色

更新时间：2024-05-02 03:40

《冰刀》讲述的是什么故事？

This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.

《冰刀》上映后，票房并不好，这部电影有哪些不足之处？

《冰刀》无论票房是多少口碑怎么样，它都是值得一看的电影。虽然剧情上《冰刀》可能不够紧凑，但是《冰刀》的科幻特效绝对是当下国内最高水准，也是首部华语恐怖片大片。况且，还是 卡罗尔·贝克,艾伦·斯科特的电影，那就更应该去支持一下。

导演：翁贝托·伦齐谈主演监制《冰刀》，他对这部电影最大的感触是什么？

翁贝托·伦齐不仅是《冰刀》的出品人，而且还是《冰刀》的总编制，甚至是这部《冰刀》的主演，《冰刀》这是一部充满着诚意的影视作品，将会在1972全国公映。在《冰刀》的首映礼上，虽然翁贝托·伦齐已经来到了内地，但因为疫情防控的原因，翁贝托·伦齐卡罗尔·贝克,艾伦·斯科特只能够通过视频连线的方式，与现场的观众进行交流，翁贝托·伦齐卡罗尔·贝克,艾伦·斯科特对这部电影进行了介绍，同时表示这部电影就像是自己的孩子出生一样，自己感觉到十分开心，而且感觉到十分紧张。

《冰刀》电影的主要内容

《冰刀》是一部恐怖片电影，由导演：翁贝托·伦齐执导，主演：卡罗尔·贝克,艾伦·斯科特，This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off andor very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.

《冰刀》在哪里可看？

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《冰刀》导演翁贝托·伦齐：种电影的人，你了解哪些？

这部1972上映的恐怖片，入围2022年柏林电影节主竞赛单元，打破了近年来欧洲三大电影节主竞赛单元恐怖片“零入围”的僵局，也让翁贝托·伦齐在威尼斯完成了他的作品从威尼斯“地平线”、戛纳“一种关注”到柏林主竞赛的“进阶”。导演翁贝托·伦齐一直关注着自己的家乡，翁贝托·伦齐镜头总是盯着熟悉的家乡。即使上一部电影变成了繁华的大城市，翁贝托·伦齐善于讲述残酷荒诞却不失温情的故事，电影勾勒出人们对土地的依恋、《冰刀》现代文明与人心的矛盾。《冰刀》在谈到老人、孩子和年轻人之后，这次翁贝托·伦齐将把重点放在与村子密不可分的中年人身上。《冰刀》延续了翁贝托·伦齐导演深厚的人文关怀，演员卡罗尔·贝克,艾伦·斯科特的组合主演，新颖又富有挑战性。卡罗尔·贝克,艾伦·斯科特在影片中的表现，堪称一次突破。